Letter written by Ward Lockwood to Juliana Force, dated November 21, 1929. Notification of the shipment of paintings, watercolors, and lithographs. See also: List of oil paintings (wscg0468).
Art, American--20th century--Inventories; Whitney Studio Galleries--Paperwork (Office practice);
Inventory record of paintings by Jerome Blum, undated. Includes handwritten notes indicating delivery and location. See also: Taken from the Whitney Studio 47 paintings belonging to Jerome Blum and 21 drawings to the Chelsea storage, March 31, 1931...
Art, American--20th century--Inventories; Whitney Studio Galleries--Paperwork (Office practice);
Loan receipt between James D'Agostino and Whitney Studio Galleries, dated March 10, 1930, for thirteen (13) watercolor paintings, two (2) unframed oil paintings, and two (2) framed oil paintings. Oil paintings include: "Portrait", "Still Life -...
Art, American--20th century--Inventories; Whitney Studio Galleries--Paperwork (Office practice);
Delivery receipt for paintings and drawings belonging to Jerome Blum, dated March 31, 1931. Signed by an associate from Berkley Express. See also: List of Jerome Blum's paintings (wscg.0585).
Letter from Marion Chamberlain, Secretary to the Director, Cincinnati Museum Association, to Harriet Masterson, dated April 1, 1929. Regarding insurance for paintings included in an exhibition. Requested information for the following paintings:...
Crowley sends Markham a copy of "The International" with a poem by Rooney dedicated to Markham. Crowley also invites Markham to have his portrait painted by Kennedy, who uses the psychochrome style.
Typed letter written by John Graham to Alice Campbell, Whitney Studio Galleries, dated March 31, 1929. Signed. Informing Campbell that his tempera painting, "Horse and harlequin", was not Dudensing Gallery's possession, since it was exhibited in...
Catalogue for the annual exhibition of work by members of the Whitney Studio Club, held March 30-April 30, 1920. Title taken from cover. The physical catalogue scanned is a photocopy from microfilm. Color of scanned images has been inverted.
Catalogue for the annual Member's Exhibition, April 1922. Works separated into two lists, painting and sculpture. Title and date taken from typed note on inside of acid-free sleeve. The physical copy scanned is a photostat. Color of scanned...
Catalogue for part 1 of the 1928 annual exhibition of painting and sculpture by members of the Whitney Studio Club, held March 6-29, [1928] at the 10 West 8th Street. Title taken from cover. For part 2, see: Thirteenth annual painting exhibition.
View of the old entrance to the Morgan library, 33 East 36th Street. Built 1903-1906 ; Architect: Charles McKim of McKim, Meade & White. The rotunda connected the building's three main rooms: J.P. Morgan's study, J.P. Morgan's library, and the...
J.P. Morgan's library. One of a suite of three rooms in the original Morgan Library building, 33 East 36th Street. Built 1903-1906 ; Architect: Charles McKim of McKim, Meade & White.
Photocopy of letter written by Juliana Force to Paul Sachs, Esq., Fogg Art Museum, Harvard University, dated April 13, 1928. Force requests the early return of all forty-two paintings to New York.
Handwritten letter from Ernest Fiene to Juliana Force, dated October 29, 1929. Fiene updates Force on details of Emil Ganso's divorce suit. Asks Force to put Ganso's paintings away out of sight. Tells of Weyhe's altercation with lawyers trying...
