Loan receipt compiled by the Fogg Art Museum Registrar to the Whitney Studio Club, April 12, 1928. Document is nine pages. Each page is signed by the Registrar. Includes a catalog number and description for 42 artworks received.
Typed letter written by John Graham to Alice Campbell, Whitney Studio Galleries, dated March 31, 1929. Signed. Informing Campbell that his tempera painting, "Horse and harlequin", was not Dudensing Gallery's possession, since it was exhibited in...
Art, American--Exhibitions ; Art, Modern--20th century--United States--Exhibitions; Flowers in art--Exhibitions
Catalogue from the Spring Exhibition, also known as The Flower Exhibition, held March 17-29, 1930 at the Whitney Studio Galleries. Introduction by Lloyd Goodrich. Color cover with black and white illustrations and a list of the exhibition...
Art, American--Exhibitions ; Art, Modern--20th century--United States--Exhibitions; Flowers in art--Exhibitions
Catalogue from the Spring Exhibition, also known as The Flower Exhibition, held March 17-29, 1930 at the Whitney Studio Galleries. Introduction by Lloyd Goodrich. Color cover with black and white illustrations and a list of the exhibition...
Crowley sends Markham a copy of "The International" with a poem by Rooney dedicated to Markham. Crowley also invites Markham to have his portrait painted by Kennedy, who uses the psychochrome style.
Telegram written by Cornela Bentley Sage to Juliana Force, dated January 26, 1928. Mention of the prospective sale of Watson flower painting and donation of Schnakenberg painting.
Landscape; Stores, Retail; Painting; Wallpaper; Wall coverings; Decorative paper; United States--New York (State)--New York--Brooklyn
Shape and illustration of draped fabric over easel. A painting of a landscape scene is on easel with artist's palette leaning against one of the legs. Text on palette,"painting, graining, marbling, papering."
Schools; Art; Mural Painting; World War I; Landmarks
Dedication of a mural painting over the arch of the stage in the auditorium of Morris High School. The mural honors the 867 Morris men and women who served in World War I. In--Bronxboro, Vol. IV, No. 7, pp. cover, 7-8.
Sinclair writes about his upcoming book "Jimmie Higgins" and details about it being published, along with prices and other information. He includes reviews of "Jimmie Higgins" and "The Profits of Religion".
Photograph of a painting by Charles Rocher, from the Circus in Paint Exhibition, April 1929. Text in French on bottom of painting: "Plus fort que Rigoulot.. Mesdames et. Messieurs".
Photograph of a painting by Charles Rocher, from the Circus in Paint Exhibition, April 1929. Text in French on bottom of painting: "Mademoiselle Olivia du grand Cirque Municipal qui fait si bien marcher sur une [?] sans [?]".
Telegram written by Juliana Force to Cornelia Bentley Sage, dated January 27, 1928. Included is the mention of two sales: Nan Watson's flower painting ($350) and Schnakenberg's mullen plant artwork ($450).
Loan receipt of one painting, by Guy Pène Du Bois. Record signed by Paul J. Sachs, Associate Director, the Fogg Art Museum, to Whitney Studio Club, dated April 6, 1928.
Letter from Juliana Force to Mr. E.C. Coykendall, dated January 23, 1929. Regarding Harry Gottlieb's paintings and value as an artist. Photocopy of original.
