Le Prade thanks Markham for his willingness to write an introduction to her poetry. She talks of her studies at the Comnock School of Expression and writes of her discussions with John Milton Scott.
Le Prade praises Markham for his work and his friendship and the joy his work has brought to her life. She thanks him for his portraits and looks forward to meeting him again.
Postal data: posted, postmarked [wavy postmark with letters I & C] (NEW YORK, N.Y. STA. I, JUL 25, 8-PM, 1908); Postcard type: divided back; (This Space For Writing Messages; This side for the Address only.); Logo (Post Card) printed in stylized...
Abbott writes about starting "The Comrade" and asks Markham for a poem for the first issue. Abbott also writes about his holiday spent in the Adirondacks, Chicago, Buffalo, and at the Indianapolis Socialist Convention.
Abbott writes to Markham about Clara von Ende Liebmann and her creation of a School of Music in New York's East Side. Abbott describes the lessons, the cost and the pupils at the school. Abbott explains Liebmann's family history as well. Abbott...
Meserole thanks Markham for a letter and also for sending a notice on Markham's "Talks on Poetry." Meserole also thanks Markham for sending the names of people who may be interested in joining the Fellowship.
Crowley sends Markham a copy of "The International" with a poem by Rooney dedicated to Markham. Crowley also invites Markham to have his portrait painted by Kennedy, who uses the psychochrome style.
Woljeska writes to Markham informing him that his poem was published in "The International" along with his portrait. Woljeska writes asking Markham's approval of the issue as they have not heard from him about it.
Le Prade writes to Markham about the manuscripts of John Milton Scott and having them published posthumously. She expresses dismay about the situation and is concerned that she may not be able to raise the funds for their publication.
Abbott writes to Markham and mentions Nelson. He also mentions his trip to Oscawana where he was entertained by Joseph Adelman and his wife, who had previously entertained Markham.
Art, American--Exhibitions ; Art, Modern--20th century--United States--Exhibitions; Flowers in art--Exhibitions
Catalogue from the Spring Exhibition, also known as The Flower Exhibition, held March 17-29, 1930 at the Whitney Studio Galleries. Introduction by Lloyd Goodrich. Color cover with black and white illustrations and a list of the exhibition...
Art, American--Exhibitions ; Art, Modern--20th century--United States--Exhibitions; Flowers in art--Exhibitions
Catalogue from the Spring Exhibition, also known as The Flower Exhibition, held March 17-29, 1930 at the Whitney Studio Galleries. Introduction by Lloyd Goodrich. Color cover with black and white illustrations and a list of the exhibition...
