Bentall writes to Mrs. Markham thanking the Markhams for their contribution and cooperation with the Christian Socialist. Bentall also praises Markham and his poems which are frequently used in the Christian Socialist. He also writes about prices...
Socialism, Christian -- United States -- Meetings.
Abbott references articles about Markham in the "Journal" and the "Herald Tribune", commends Markham's address at the funeral of Daniel Murphy, and expresses regret at missing a Socialist meeting due to a prior engagement.
Sinclair writes about his upcoming book "Jimmie Higgins" and details about it being published, along with prices and other information. He includes reviews of "Jimmie Higgins" and "The Profits of Religion".
Lemon thanks Markham for reading his play and asks permission to use his quotes for publicity. Lemon also writes a great deal about freedom of expression in the United States as compared to other countries and other time periods in history.
Le Prade thanks Markham for his willingness to write an introduction to her poetry. She talks of her studies at the Comnock School of Expression and writes of her discussions with John Milton Scott.
Vossburgh writes to Markham about arranging a few public affairs, informs Markham of who is involved with the Fellowship, and asks if Markham would be willing to speak at any of the functions.
Retired Bronx businessman accepts a certificate of appreciation for his volunteer work at the March of Dimes. He devoted six hours a day for six months to raise money to help combat polio.
Four-page letter and envelope dated February 3, 1897, from Daniel McFarland in South Bend, Indiana to Lysander Spooner in Boston, Massachusetts, inquiring about mutual acquaintances and briefly discussing several of Spooner's pamphlets.
Photocopy of letter written by Juliana Force to Mr. Arnold Ronnebeck, dated February 29, 1928. Included is mention of the sale of Kuniyoshi's painting "Upstream".
Photocopy of letter written by Juliana Force to Paul Sachs, Esq., Fogg Art Museum, Harvard University, dated April 13, 1928. Force requests the early return of all forty-two paintings to New York.
