Appelbaum writes to Markham inviting him to be part of the committee on capital punishment that has been organized by the Humanitarian Cult. Appelbaum also invites Markham to speak at an upcoming meeting.
Le Prade praises Markham for his work. She writes of various events in the Poet's Garden and looks forward to Markham's visit in January. She also writes of her hope that Markham move back to California and suggests a course on the poetry of...
Sinclair writes about his upcoming book "Jimmie Higgins" and details about it being published, along with prices and other information. He includes reviews of "Jimmie Higgins" and "The Profits of Religion".
Tappan thanks Markham for visiting Baltimore and invites Markham to visit again. He requests a handwritten copy of "The Man With The Hoe" and other poems so he can have them framed and hung at his school.
Tester thanks Markham for agreeing to look over some of his poems. He writes of his hope to write more poems and asks Markham to send some of his own poetry for Tester to read.
Currency question--United States; Free banking--United States
Manuscript draft of a four-page letter from Lysander Spooner in Boston [Massachusetts] to Gerrit Smith dated July 7, 1858, discussing his theories on American banking systems, and encouraging Smith to begin a bank of his own.
Charles Sumner (1811-1874) was a United States senator from Massachusetts and a campaigner against slavery. This is a draft, ca. 1855, of a version of the speech delivered in New York on May 9, 1855, and published that year under the title "The...
Sloan, John, 1871-1951; Art patrons--United States--Correspondence.; Art patronage;
Letter written by Duncan Phillips to Juliana Force, dated February 3, 1928. Informing Force that he endorsed the check for $5000, made it payable to, and sent it to Sloan along with a presentation letter. Additional handwritten notation that a copy...
Sloan, John, 1871-1951; Art patrons--United States--Correspondence.; Art patronage;
Copy of letter written by Duncan Phillips to John Sloan, dated February 3, 1928. In it, Phillips states that the painting has been presented to and accepted by the Metropolitan Museum of Art. Mentions that he enclosed a check signed over to him...
Sloan, John, 1871-1951; Art patrons--United States--Correspondence.; Art patronage;
Form letter sent by Juliana Force to Phelps Phelps, dated October 24, 1927. Handwritten reply by Phelps Phelps. Additional handwritten notation of the receipt of $10.
Sloan, John, 1871-1951; Art patrons--United States--Correspondence.; Art patronage;
Form letter sent by Juliana Force to Ernest Poole, dated October 24, 1927. Handwritten reply by Ernest Poole. Additional handwritten notation of the receipt of $10.
Sloan, John, 1871-1951; Art patrons--United States--Correspondence.; Art patronage;
Form letter sent by Juliana Force to Ida M. Starr, dated October 24, 1927. Handwritten reply by Ida M. Starr. Additional handwritten notation of the receipt of $10.
Catalogue for the Whitney Studio Club Exhibition (Traveling Exhibition) held at the California Palace of the Legion of Honor, San Francisco, CA, from January 16-January 31, 1928. Includes 2 black and white plates. Artists include: Pamela Bianco,...
