Sloan, John, 1871-1951; Art patrons--United States--Correspondence.; Art patronage;
Form letter sent by Juliana Force to Ernest Poole, dated October 24, 1927. Handwritten reply by Ernest Poole. Additional handwritten notation of the receipt of $10.
Riverdale Children's Association; Colored Orphan Asylum (New York, N.Y.); Association for the Benefit of Colored Orphans (New York, N.Y.); Charities--New York (State)--New York; Children, Black--New York (State)--New York; African American...
The records of the Colored Orphan Asylum document the activities of the institution from 1836 to 1972, with the bulk of the records falling between 1850 and 1936. The records include minutes of general meetings, the Executive Committee, the...
Convalescent hospitals; Correspondence; Postal service;
Ernest apologizes for not writing sooner. He is still convalescing and now has time to write. He discusses the strange mail service and the trouble his battalion had when them came into town. The townspeople have warmed to the Americans and they...
Abbott writes about starting "The Comrade" and asks Markham for a poem for the first issue. Abbott also writes about his holiday spent in the Adirondacks, Chicago, Buffalo, and at the Indianapolis Socialist Convention.
Abbott writes to Markham about Clara von Ende Liebmann and her creation of a School of Music in New York's East Side. Abbott describes the lessons, the cost and the pupils at the school. Abbott explains Liebmann's family history as well. Abbott...
Art, American--20th century; Sales Records; Whitney Studio Galleries--Paperwork (Office practice)
Whitney Studio Galleries stock ledger documenting events regarding works of art and organized by artist. Includes memoranda and loose pages inside book. Artists and organizations include: John Alger, Art Institute of Chicago, Henri Burkhard, Arnold...
Handwritten letter by Ernest Fiene to Mr. Tompkins, dated November 10, 1928. Fiene is concerned at Mr. Tompkin's suggestion to lower his prices, explaining that he would not be able to break even if he did.
Handwritten letter from Ernest Fiene to Juliana Force, dated October 29, 1929. Fiene updates Force on details of Emil Ganso's divorce suit. Asks Force to put Ganso's paintings away out of sight. Tells of Weyhe's altercation with lawyers trying...
Art, American--20th century--Inventories; Circus in art; Whitney Studio Galleries--Paperwork (Office practice);
Loan receipt between Whitney Studio Galleries and Ernest Fiene, dated March 11, 1929. On loan: "The Porch" by Fiene and two lithographs not included in Circus in Paint.
